![]() ![]() He posted “All American Boy” as a name-your-price, no minimum track, and quickly became the fastest, and best-selling, track ever on Bandcamp. Within a few days, Grand was fielding calls from CNN and the associated press. His song snowballed on social media: friends-of-friends shared it on Facebook, pop culture blogs like Buzzfeed picked it up, followed, in short order, by their more mainstream counterparts. Within days, Grand had become the gay Everyman, a male Taylor Swift with more pathos and sharper politics. ![]() But viewers also glommed onto the story behind it, of an unrequited crush that stemmed from a friend giving mixed signals – something that many YouTube commenters said they’d experienced. The catchy, classic sound of his debut track, “All-American Boy,” might explain why the video went massively viral when he posted it on July 2. And in his case, that seemingly contradictory identity is an asset rather than a limitation. Grand insists he isn’t the first gay country singer, but he’s certainly one of a small handful. During a recent CNN interview – his first on national television - he had the look of someone pretending to understand a poorly told joke politely fielding questions about his homosexuality, his unexpected star turn, and the home-made, gay-love-story video that initiated it. Pre-order buy pre-order buy you own this wishlist in wishlist go to album go to track go to album go to trackĬonsidering his swift rise to fame, it’s perhaps no surprise that 23 year-old, Chicago-raised country singer Steve Grand still gets doe-in-the-headlights eyes whenever a camera trains on him. ![]()
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![]() ![]() Everything you need is dynamically laid when and where you need it, without juggling multiple windows. The Song page is where the magic happens. The Start page is your home base, where you access recent Songs and Projects or start new ones, adjust hardware settings, check in on your online progress, stay in touch with the latest Studio One news, and develop new skills through demos and tutorials. Jadi tunggu apalagi, segera anda download dan instal PreSonus Studio One Pro Full ini sekarang juga. Bahkan aplikasi PreSonus Studio One Pro Full ini juga sudah diakui oleh para produser musik kelas dunia sebagai salah satu alat produksi musik yang sangat bagus. PreSonus Studio One Pro Full ini memiliki tampilan antarmuka yang cukup sederhana, sehingga anda dapat lebih mudah memahami dan dapat menggunakan semua fitur yang ada dengan maksimal. Dengan menggunakan aplikasi editing audio yang satu ini anda dapat menciptakan sebuah musik anda sendiri dengan dukungan berbagai macam fitur editing audio yang sangat lengkap. Bagi anda yang suka melakukan mixing lagu atau ingin menciptakan sebuah musik karya anda sendiri secara professional, maka software PreSonus Studio One Pro Full adalah program yang sangat tepat untuk anda. For added convenience, custom Key Switch maps can be saved with Instrument+FX presets (which also save channel insert and send fx).PreSonus Studio One Pro 3.2 Multilingual Full Keygen adalah sebuah software yang dapat anda gunakan untuk membuat dan juga mengedit musik secara professional dengan hasil output yang sangat bagus. Be sure to use the Update Preset option next time to add the new Key Switches to your preset map.Ĭustom Key Switch maps can be re-used for any sample library that follows the same Key Switch layout. You can re-select this Key Switch map at any time and add some more. from the menu to the left of the preset name. ![]() Start by adding a few: Enter the pitches with your controller keyboard, name the ones you have entered, and then select Store Preset. All current UJAM Virtual Bassist and Beatmaker products support Key Switch query.) A window like this will appear: (You won't see the wrench button if you're using Presence XT or a third-party VST2/VST3 instrument that supports Key Switch query. To open the Key Switch Editor, click the wrench button on the left side of the Automation lane. Other instruments (such as third-party samplers and orchestra libraries) can be mapped manually using mapping presets. This way you can re-use a particular guitar articulation in other locations, for example, even as the other notes follow the Chord Track. These keys will be unaffected if the Instrument Track is transposed, and they will not be triggered by Note FX such as an arpeggiator. Notice the highlighted key switches in Piano View. For example, load “Nylon Guitar Full” from the Presence XT core library. Instruments that report their Key Switches to Studio One (such as Presence XT) display articulations with their names automatically. ![]() In order to avoid conflicts with musical actions (such as transpose) or processing with Note FX or the Chord Track, Key Switches are filtered and excluded from any type of playback processing. You can also enter or edit Key Switches in the Automation lane using the pencil tool. To change the Key Switch that is used for a particular passage, first select the Key Switch you want to change in the Automation lane, then click and hold its name and select the desired Key Switch from the menu that appears. This entry remains in effect until another Key Switch note is entered, and so the colored bar stretches until the next Key Switch note event. When Key Switch notes are entered in the Track, an equivalent entry appears in the Automation lane as well. This tab is available in the Piano and Drum views. To view and edit Key Switches in an Automation lane, open the Note Editor, click the Show/hide Automation Lanes button ( ), and then click the Key Switches Parameter tab at the top of the lane. The Note Editor has an Automation lane for the Key Switches as well. The names of the Key Switches appear inside the lanes at a medium vertical zoom setting. The lanes in the Note Editor are highlighted for those notes too. These indicate the presence of Key Switches. Now scroll down to C0 on the vertical keyboard and notice the highlighted keys. ![]() Next, press to open the Note Editor, then click the keyboard icon in the Note Editor toolbar to select the Piano View. 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![]() Within ESPRIT all machining is performed directly on the solid model, thus assuring that the on-screen "as machined" part exactly matches the original "as designed" version. Parasolid: Solid Modeling and Solid MachiningĮSPRIT and SolidWorks both utilize the Parasolid modeling kernel, thereby allowing the direct CAD to CAM exchange of the part model and eliminating the need for data translation. ![]() Customers currently utilizing ESPRIT and SolidWorks together have increased productivity eight fold," says Chuck Mathews, DP Technology's Vice President of Marketing. By eliminating the need for a translator and a second neutral file Format such as IGES or STEP, the file and part revision management is drastically simplified. "For customers performing CAD work in SolidWorks and then CAM programming in ESPRIT, the SolidWorks / ESPRIT CAD/CAM solution provides a simple and direct method of working from one native CAD file to create both the design and the associated CNC programs. 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This add-in is available free of charge to any SolidWorks user from the ESPRIT Add-In Store on the Web at Camarillo, CA- CAM market leader, DP Technology announces the immediate availability of a SolidWorks add-in for the push button transfer of SolidWorks part models into the ESPRIT CAM system. ![]() ![]() I'm fairly sure it would look something like this: UPDATE FixBadCharsĪs far as scaleability I returned ~170k cleaned rows in under 30 seconds. You should be able to modify the bottom part to do an update rather than just a query but I haven't actually tried it. ![]() WHERE FixedString COLLATE Latin1_General_BIN2 LIKE StringToFix, FixedString, M圜ounter, Id SELECT StringToFix, Stuff(FixedString, COLLATE Latin1_General_BIN2), 1, ' ') AS FixedString, WITH FixBadChars AS (SELECT StringToFix, StringToFix AS FixedString, 1 AS M圜ounter, Id However it creates a "good" list, it doesn't actually update the existing list. You could modify it slightly to do what you are looking for. I'm using STUFF to strip 1 character (although you can use it to replace with a space) and PATINDEX to find the location of the character I want to remove. I've got a post here that does something similar.īasically I'm using a recursive CTE to go loop over and over again replacing one "bad" character at a time. If your data is using NVARCHAR(MAX), then just remove the "4k" from the function names. Also note that I used the "4k" versions which are faster due to using NVARCHAR(4000) instead of NVARCHAR(MAX) parameter types. Please note that for these examples, I used two functions available in the Free version SQL# library of SQLCLR functions, which I created (but again, these are free). The following shows an example of replacing several "special" characters, yet leaving all that are valid letters in at least one language: DECLARE NVARCHAR(500) In this case, you should use a Regular Expression (RegEx) - specifically the Replace method / function - and those are only available through SQLCLR. Now, if you are supporting NVARCHAR data and can get "word" characters from various languages, then T-SQL will not be of much help as it has no real way to differentiate these things. However, if you are going to be strict about only accepting US English characters (even if you might get valid letters from other languages) then your best option will probably be to use the following pattern and Collation: LIKE '%%' COLLATE Latin1_General_100_BIN2 There are far too many variations to give examples for here so I will try to post a detailed explanation on my blog sometime soon (and then will update this with the link to it). And the range of a-Z won't match any characters in a binary Collation (one ending in either _BIN or _BIN2, but don't use _BIN) given that the value of A is 65 and a is 97, hence it is an invalid range of 97 through 65 -). The effect will be that a will be within the range of A-Z for one of them, but not the other. Meaning, assuming a case-sensitive Collation for both types of Collations, one will do AaBb. ![]() ![]() For example, the SQL Server Collations sort upper-case and lower-case letters in the opposite order as the Windows Collations. Of course, what those extra characters would be is on a per-Code Page basis.Īlso, please be aware that both Collation type (SQL Server vs Windows) and sensitivity settings (case, accent, etc sensitive vs insensitive) will affect which characters are included in a particular range. Þ = Latin capital "Thorn" = SELECT CHAR(0xDE)), then you might need to include those in the character class. If you are guaranteed to only ever use the 26 letters of the US English alphabet (both upper-case and lower-case versions) then sure, you can get away with using LIKE and/or PATINDEX with the simple range notation of (you wouldn't need to use an upper-case "Z" when using a case-insensitive Collation).īut, if you might get characters not found in the en-US alphabet yet available in various Code Pages / Collations for VARCHAR data (e.g. ![]() ![]() They have a pretty good core of experienced players and a lot of talented first-year players from Ontario. “They’ve had some changes and have a new coach (Erin McAleenan) and she changed the roster, but they’re good. “UBC has a big name, so they’re always a good team,” he said. I would prefer we play a game and get in that routine and right now I’m not really sure what’s going to work. “For me as a coach, it’s pretty difficult to keep the team at the peak of their performance. “When the season starts it’s difficult to have that break and I wish we didn’t have that break,” said Shchepotkin. None of the teams played last weekend, but the T-wolves were the only team to have two oen weekends. If they come out rusty and fail to take advantage of their speed, chances are they’ll get buried by their opponents tonight. T-wolves coach Sergey Shchepotkin is a bit concerned about how his team will respond after nearly three weeks between games. For the T-birds, Hailey Counsell has averaged 16 points, while Johnson raised her scoring average to 15 per game after a 29-point effort two weeks ago against UBC-O. In those four games, Boykova has averaged 14 rebounds. UNBC forward Alina Skakirova continues to lead the conference, averaging 24.5 points per game and she has the second-ranked rebounder in Canada West, Sveta Boykova, helping her raise those point totals. It is nice to see we have the potential to do well, and we shouldn’t feel as much like the underdogs. “It was a bit iffy this year, with how small we were,” said Soltes. ![]() They’re coming off a two-game sweep of the Thompson River University WolfPack, Nov. Soltes knew going into the season her team was not blessed and any natural dunkers and she’s pleased with how well the T-wolves have done so far. “I think we have a good shot of beating them.” ![]() ![]() We have been doing a lot of work in practice, with the smalls working with the bigs, just to get used to that potential mismatch on the court. “We are small this year, and they are big, so that may cause some difficulty for us. “They are a really good team,” said UNBC guard Anastasia Soltes. Of UBC’s starting five, five-foot-six guard Kate Johnson is the only one who stands lower than five-foot-10, and they have five other six-footers besides second-year centre Olivia Morgan Churchas, who bends the tape measure at six-foot-six. They lost by just four points to the division-leading Fraser Valley Cascades and beat them in the rematch and were one-point losers to UBC-Okanagan two weeks ago. The T-birds (2-4) are better than their record indicates. The T-wolves (3-1) have won three of their first four games this season but they’ll have a tall order on their hands starting Friday night (6 p.m.) when they host the UBC Thunderbirds in the first of a two-game weekend set at the Northern Sport Centre. In fact, they’re thriving in the face of their vertical challenges. They’re one of the shortest teams in the Canada West Conference but haven’t used that as an excuse. ![]() The UNBC Timberwolves women’s team knows all about that natural phenomenon. In basketball, where the target in 10 feet off the ground, being small is a disadvantage. ![]() ![]() ![]() After giving her thanks and gratitude and saying her goodbyes, Ventuswill dissipates into a floating sphere, bound for the Forest of Beginnings. Through force of will, her spirit brought the protagonist back to Selphia because of her wish to see everyone one last time. ![]() She tells the protagonist that her time was short-lived as her body had already gone back to the Forest of Beginnings. ![]() Following the celebrations, the protagonist approaches Ventuswill once more to talk about the future, with Ventuswill providing an ominous tone. The protagonist clamors at her statement and Venti plays along as she announces that she intends to fly the protagonist back to the town's safety.Īfter arriving back at Selphia, the townspeople are overjoyed by Ventuswill and the protagonist's return, celebrating their arrival with a party and announcing how they worried for the protagonist. Venti also laments about her condition, stating that she as well would go back to the Forest of Beginnings. Venti and the protagonist watch as Etherlberd dissipates into a floating sphere and is sent back to the Forest of Beginnings, having lost his humanity in the process of claiming the Rune Sphere's power. After the protagonist defeats Ventuswill, she and Ethelberd are separated into two halves once again. He clamors in amazement over the power he's received, although Venti intervenes once more, telling the protagonist to do what they must and eliminate Ethelberd. After defeating Ethelberd once more, he clings to the Rune Sphere's power once more and uses the power of Etherlink, leaving the protagonist helpless to watch as he fuses himself with Ventuswill's dragon body. Ventuswill is a green dragon with colorful wings ranging from green, cyan, orange, red, dark blue, and red.įollowing Ventuswill's arrival at the Floating Empire, she confronts Ethelberd and assists the protagonist in dispatching the mad Emperor. The only exception she makes is for the protagonist, in front of whom she had slipped up due to her surprise at them landing on her in the beginning of the story. Ventuswill now hides the softer side of her personality and acts formal and commanding before others, because she doesn't want someone to risk themselves for her. Despite likening herself to a god, Ventuswill has the least imposing or knowledgeable image of the four Native Dragons. ![]() |
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